In Peruvian´s music history, the Tonadilla, as a musical genre, has not been approached with the required Depth. The Tonadilla is an orchestrated song with a humorous theme waswidely used in theatrical plays in Spain and ...

En este trabajo mostramos cómo el indie se convierte en una referencia central de la música popular argentina en las primeras dos décadas del siglo XXI. Desde una estrategia metodológica que combina datos etnográficos y ...

In this paper we address the polysemic nets of identity appropriation of Aimara dances in Puno (Peru). We analyze the tense relationship established between the discourses installed by the structures of political power ...

Wenn lokal gebundene Musik durch Globalisierungsprozesse aus ihren Kontexten gelöst und global vermarktet wird, verbreiten sich auch deren Botschaften und Geschichten. Die afrokolumbianische Band ChocQuibTown ist politisch ...

In Peru, the term argolla went from being just a way to designate an elite segment in the 19th century, to concentrate nowadays a vast range of meanings, referring to closed groups in any field, but also types of ...

In recent years many Latin-American foods have become popular globally as “superfoods”. This article analyses the popular discourse in Germany (ca. 2015-2019) and its ambiguities around one of them: Avocado. On the one ...

“Somos libres, seámoslo siempre” son las palabras que en el Himno Nacional del Perú —escrito por José de la Torre Ugarte y musicalizado por José Bernardo Alzedo en 1821— cantan a la libertad, la igualdad, la felicidad y ...

Die lesbische Reggaeton-Sängerin Chocolate Remix aus Argentinien erneuert das musikalische Genre, das vor 20 Jahren von der Karibik aus ganz Lateinamerika erobert hat. Sie will dem im Reggaeton vorherrschenden Sexismus ...