歴史の音 = The Sound of History日本学におけるSPレコードの活用に向けて = Towards the Utilization of Historical Audio Media in Japanese Studies
歴史の音 = The Sound of History
日本学におけるSPレコードの活用に向けて = Towards the Utilization of Historical Audio Media in Japanese Studies

dc.contributor.author | Fooken, Kerstin | |
dc.contributor.author | Kataoka, Ichiro | |
dc.contributor.author | Komatsu, Hiroshi | |
dc.contributor.author | Mori, Masato | |
dc.contributor.author | Ueda, Manabu | |
dc.contributor.author | Weingärtner, Till | |
dc.contributor.author | Yukawa, Shiro | |
dc.contributor.author | Zöllner, Reinhard | |
dc.contributor.editor | Zöllner, Reinhard | |
dc.contributor.editor | Yukawa, Shiro | |
dc.contributor.editor | Ito, Tomohide | |
dc.date.accessioned | 2022-04-01T12:42:37Z | |
dc.date.available | 2022-04-01T12:42:37Z | |
dc.date.issued | 01.04.2022 | |
dc.identifier.uri | https://hdl.handle.net/20.500.11811/9715 | |
dc.format.extent | 197 | |
dc.language.iso | jpn | |
dc.rights | Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0 International | |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | |
dc.subject | Schellackplatten | |
dc.subject | Film | |
dc.subject | Filmgeschichte | |
dc.subject | Schallplatten | |
dc.subject | Digital Humanities | |
dc.subject | Mediengeschichte | |
dc.subject | Filmerzähler | |
dc.subject | Benshi (弁士) | |
dc.subject | SPレコード | |
dc.subject.ddc | 950 Geschichte Asiens | |
dc.title | 歴史の音 = The Sound of History | |
dc.title.alternative | 日本学におけるSPレコードの活用に向けて = Towards the Utilization of Historical Audio Media in Japanese Studies | |
dc.type | Konferenzveröffentlichung | |
dc.identifier.doi | https://doi.org/10.48565/bonndoc-19 | |
dc.publisher.name | Kataoka-Projekt, Abteilung für Japanologie und Koreanistik, Universität Bonn | |
dc.publisher.location | Bonn | |
dc.rights.accessRights | openAccess | |
ulbbn.pubtype | Erstveröffentlichung | |
ulbbn.relation.conference | Schellackplatten als historische Quellen in der Japanforschung (日本研究における史料としてのSP レコード), 12. Dezember 2020; 9. Januar 2021; 6. und 27. Februar 2021, Online |
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